Albums

Small Cards, Diverse Stories:
Cartes de Visite and Cartes de Cabinet in the Photo Collection of the Volkskundemuseum Wien


“Do you collect the stickers, too?”

Many of us have probably heard this question quite often at a supermarket checkout. This effective promotional call to collect small stickers with various designs creates a connection between our present day and the special formats for photographs from the late 19th century, which are also part of the collection at the Volkskundemuseum Wien (Austrian Museum of Folk Life and Folk Art). Thanks to the digitization initiative of the Federal Ministry of Housing, Arts, Culture, Media and Sport (BMWKMS), the museum was able to carry out an ambitious digitization project. From a wide range of collection objects, a collection of approximately 1,200 photographs from the museum’s photo collection was selected for the project. This is a collection of positives, all of which conform to the standard formats of carte de visite (approx. 9 cm × 5.5 cm) or carte de cabinet (approx. 14.5 cm × 10 cm). We still recognize the subjects captured back then (e.g., landmarks, travel photos, picturesque landscapes (pos/63274), and family portraits) today, and we find similar scenes on stickers from the supermarket as well as in our personal photo albums.

Between Greenland and Sardinia: The Photographic Collection of Rudolf Trebitsch


Rudolf Trebitsch (1876–1918), a physician, ethnologist, collector, and traveller, left behind not only numerous publications and phonographic recordings but also a photographic collection that is now being made accessible on a larger scale for the first time. Comprising nearly 1,400 photographs, the collection primarily documents his journeys to West Greenland (1906), the British Isles (1907, 1909), the Mediterranean region (1907, 1909), and Brittany (1908). In addition to landscapes and geological formations, he photographed people, music, and everyday culture. Trebitsch combined photography, sound recordings, publications, and public lectures to document his research comprehensively and to present it to audiences as vividly as possible. His humanistic worldview found expression in 1917 in a public statement opposing hierarchical thinking, racism, and war (Trebitsch 1917). Trebitsch died in Graz on 10 October 1918 from the consequences of a suicide attempt. In 1940, the Museum für Volkskunde (Museum of Folk Life and Folk Art in Vienna) donated a commemorative plaque dedicated to Trebitsch, which had been installed in the museum in 1920, to the „Metallspende des deutschen Volkes“ (‘Metal Donation of the German People’). By doing so, the museum removed from both its internal memory and its public presentation the commemoration of – and gratitude for – Rudolf Trebitsch's extensive, committed, and generous support for the association, its collections, and the museum.

Staged Heritage: Glass Slides Between Public Education, “Preservation of Local Heritage,” and Ideology


A collection of glass slides, cataloged at the Volkskundemuseum Wien (Austrian Museum of Folk Life and Folk Art) between 1927 and 1937, illustrates how folklore knowledge was organized, conveyed, and publicly staged through images in the first half of the 20th century. The slides served as projection images for lectures and in teaching, but at the same time point to the (cultural) political contexts of their production and use. More than half of the series was donated to the museum in 1936 from the collections of the Verein Deutsche Heimat. The motifs focus on traditional costumes, customs, religion, field monuments and small monuments, as well as work.

Recently digitised